Geoff van Beek, gentleman dentist

Van-beek-for-web

I like working with overseas clients. It's stimulating and 5,000 miles can seem like next door. But it is not digital comms that excite me.  After all BT use a piece of hairy-string to link me to the exchange and the world beyond. It is this: To commission abroad a client shows a very deliberate choice. They want you. And that brings out the best in people. It's a game-raiser.

OK, Holland is not the other side of the world but it still applies. Geoff van Beek is at the top of his profession in dental surgery, specialising in implantology. In fact he was named Officier in de Orde van Oranje Nassau (Dutch equivalent of the OBE), for his lifetime contribution to dental science. His clients come to him from all over the world for his skills and he does the same to source his specialist professional needs. 

Although we attended the same Grammar school our paths had not crossed for decades. When they did it was a physical convergence on Devon. There are some very specialised motor-sport engineering skills that exist in England. A very rich vein of hidden talents. One very special outfit is on Dartmoor. Check out Bob Petersen. Engagingly eccentric Mr van Beek drives one of those Bentleys. And no one else may work on the beast . . .

What I didn't know was that, via a school blog, my design website had been visited and checked out. Mr van Beek's Rotterdam practice needed a fresh graphic look. So when the Bentley next needed mechanical TLC from Bob Petersen we met to discuss the graphics project. 

It is noticeable that Dental Practices are largely unadventurous in their visual identity. Strange, in some ways, as we all need our regular dental health visits – and many dread the experience and crave reassurance. But it usually stops at a mobile or something amusing on the ceiling above the chair. I set to thinking it through.

In my work I tend not to create a logo and set about its tidy deployment. Instead I seek to take the pulse of my client and build a graphic identity that reflects what makes them unique, special. The choice of vehicle gives the clue that Geoff van Beek is highly individual. Conversation confirms this characteristic. The surgery reinforces the impression of eclectic interests too. On one hand a beautiful collection of  antique dental equipment, on the other a state of the art 180º x-ray machinery. There is a highly advanced sensibility to engineering and process but it is always tinged with an inclination to humour, often self-deprecating.

And that is what led me to a sleek typographic look - but with a bite out of it. 

As an aside, Mr van Beek persuaded me to abandon my Braun electric toothbrush in favour of a Philips Sonicare. It works at much higher speeds with noticeably better results. And I have a challenging set of gnashers. Product placement, moi? Well, I am not on a sales commission but it is brilliant and I thought you might like to know about it. It even starts to replenish the battery as you approach the charger. Spooky.

I leave you with this question. Should Dentists fear going to the Graphic Designers?

The Fellowship of the Ring, de Doelen, Rotterdam

Concert
There is a fair amount to say about design, its inception, creation, execution, reactions and reception. (Let's skip occasional perdition.) Strictly speaking this blog is intended to highlight the back-stories to some of my design projects. This one ends back stage.

But the fact is that the more involved you become with your work the more the work/life thingy blurs. One good part of life celebrates another. That is how it seems to go with me and The Lord of the Rings. Every time I get involved there seems to be a coming together of events. I have put iQuill to App before about Doug Adams' splendid book and you can read more about it via this link. And those of you who are as yet unaware the enormity of this book/film/music project may well have just missed the point, possibly got sniffy about Middle-earth and gone off to watch celebrity wrestling. Bear with me.

For my curmudgeonly disposition slips into pleasure at the thought of this past week in Holland. Eurostar to Brussels was superb. And through ticketed to Rotterdam for less than a train from Exeter to London - shame on you First Great Western. Towards the end of that leg of the journey we chatted with a charming Dutch cellist who had just completed her music finals in London. Onwards, switching to regular trains as we hurtled onward through the Belgian countryside I became aware of the chap next to me. As did fellow passengers. A young man with tousled curly hair was peering at an unopened Tupperware lunch box. Through a crack in the lid he stared intently and the salad within. Frequently putting it back in his bag before nervously re-examining it at frequent intervals.

"When the going gets weird the weird get going"as someone once said (who was it? Hunter S. Thompson?). For just as I was praising the efficiency of mainland European railways the announcement came over the Tannoy that there was a problem ahead and we were to disembark at the next station and begin a convoluted re-routing involving several trains and a coach. Our cellist companion, the chap with the cracked salad box obsession and ourselves formed a small fellowship of travellers collectively trying to fathom out the increasingly complex travel itinerary in mixed languages.

And that, patient reader, is how I came to find myself in Antwerp as minder to a cello and a box of stick-insects. The owner of the aforementioned Phasmatodea (a unique gift for a friend) was in fact David Buckingham, an accomplished classical guitarist and composer currently appearing in Zorro the musical. You couldn't make it up.
(download)
Together we chuckled and chatted our way through to Rotterdam where we were greeted by our hosts, Geoff & Doris van Beek. Once work was taken care of (signing-off the graphic identity for ace dentist Geoff van Beek – more on that in a future post) we looked forward to celebrating his birthday. And the fates had conspired to have the band in town that very weekend and, as their guests, we shared with the van Beeks the amazing experience of  a river taxi to Hotel New York for a superb fish lunch followed by a Live to Projection The Lord of the Rings Concert. Converging these dates had depended on the warmth of reception to both the design and the availability of  concert seats. Both went well. Phew!
The concert? Think of the early days of film. Can you picture silent black & white films with musical accompaniment from some berserk crone at the piano? OK. Now forget it. Completely. This is the movie projected in a concert hall with enough musicians performing live, for the whole 3 hours, to constitute a vast sonic army of orchestra and choirs.
De-doelen
The venue, the impressive Rotterdam venue called de Doelen, in the heart of the city, flanking Schouwburgplein. A concert auditorium and a great conference venue (Like Minds?) There was the familiar, handsome LOTR banner outside. But no people. Well, usual busy city weekend people, but not the usual Tolkein throng. These events draw very large crowds. Seemed odd. Eerie, even. Once inside I realised why. Our host is very well connected and had thoughtfully arranged to introduce us to the de Doelen Director, Mr Gabriël Oostvogel and his team. Such delightful people. Design is a largely back-room activity but they made such a generous fuss of us. Their hospitality was peerless and shared, during the intermission, with the beautiful people of the city. And me such a scruffy English creative!

The concert itself, The Fellowship of the Ring, was sublime. Powerful. Expert. Moving. I dare to say the acoustics may even surpass the more venerable Royal Albert Hall. The industry and power of the event was so impressive. The sheer talent and quality from all concerned was impeccable. And I love the diversity of audiences these concerts attract. Dinner jackets on one side. Shorts and Gandalf T-shirts on the other. But overwhelmingly the power of the emotional resonance of the music of Howard Shore triumphed again. After The Return of the King in London I was not expecting to be quite so moved again by The Fellowship of the Ring in Rotterdam. But we were, of course!  And the van Beeks loved it. The whole audience was ecstatic. Do check this link for YouTube footage, music, review and photographs.

And back stage? Permit me a little pride as we were invited back after the performance by the extraordinary conductor Mr. Ludvig Wicki (who is just beaming, joyful and indefatigable off-stage as he is in performance) and his charming wife Beatrice. How he manages to be so bubbly and excited after such an exhaustin and brilliant performance I will never know. So good to have made his acquaintance and I hope we meet again. And the night produced yet another treat as we met the singer, Soloist Kaitlyn Lusk. Wow! What a voice. 
Ludvig-wicki
An amazing day. I shall remain forever grateful to Doug Adams inviting me into the world of The Music of The Lord of the Rings in 2009. Next Year? Tickets are booked for the de Doelen and The Two Towers concert. See you there?